Jon Yu (b. 1988) is a Taiwanese-American composer whose works explore notions of ritual, utility, and excess. His music has been performed by ensembles and soloists such as Mivos Quartet, Neue Vocalsolisten Stuttgart, Wet Ink Ensemble, Ensemble SurPlus, AuditivVokal Dresden, Eco Ensemble, Earplay, Transient Canvas, clarinetist Matt Ingalls, and haegeum player Soo Yeon Lyuh. His works have been programmed at festivals such as June in Buffalo (2014), Dian Red Kechil International Young Composers Residency (2015), Walden School Composers Forum (2014), SICPP (2016), Darmstadt Ferienkurse (2016), Pacific Rim Music Festival (2017), Festival Musica (2018), Festival Barcelona Modern (2019), and impuls Festival (2019). He was the recipient of the 2017 Mivos/Kanter Prize for his string quartet “O reche modo,” and was the laureate of the Prix Alain Baltes for his vocal sextet “PEK TI.” From 2018-19, Jon was in residence in Paris as a fellow of the George Ladd Prix de Paris.
Jon is currently a PhD candidate in composition at UC Berkeley, where he studies with Franck Bedrossian, Ken Ueno, and Edmund Campion. He has also studied privately with Steven Kazuo Takasugi, Rebecca Saunders, and Pierluigi Billone.